TESS OF THE D’URBERVILLES
PART 5
Phase the Second: Maiden No More, XII-XV
XII
The basket
was heavy and the bundle was large, but she lugged them along like a person who
did not find her especial burden in material things. Occasionally she stopped
to rest in a mechanical way by some gate or post; and then, giving the baggage
another hitch upon her full round arm, went steadily on again.
It was a
Sunday morning in late October, about four months after Tess Durbeyfield's
arrival at Trantridge, and some few weeks subsequent to the night ride in The
Chase. The time was not long past daybreak, and the yellow luminosity upon the
horizon behind her back lighted the ridge towards which her face was set—the
barrier of the vale wherein she had of late been a stranger—which she would
have to climb over to reach her birthplace. The ascent was gradual on this
side, and the soil and scenery differed much from those within Blakemore Vale.
Even the character and accent of the two peoples had shades of difference,
despite the amalgamating effects of a roundabout railway; so that, though less
than twenty miles from the place of her sojourn at Trantridge, her native
village had seemed a far-away spot. The field-folk shut in there traded
northward and westward, travelled, courted, and married northward and westward,
thought northward and westward; those on this side mainly directed their
energies and attention to the east and south.
The
incline was the same down which d'Urberville had driven her so wildly on that
day in June. Tess went up the remainder of its length without stopping, and on
reaching the edge of the escarpment gazed over the familiar green world beyond,
now half-veiled in mist. It was always beautiful from here; it was terribly
beautiful to Tess to-day, for since her eyes last fell upon it she had learnt
that the serpent hisses where the sweet birds sing, and her views of life had
been totally changed for her by the lesson. Verily another girl than the simple
one she had been at home was she who, bowed by thought, stood still here, and
turned to look behind her. She could not bear to look forward into the Vale.
Ascending
by the long white road that Tess herself had just laboured up, she saw a
two-wheeled vehicle, beside which walked a man, who held up his hand to attract
her attention.
She obeyed
the signal to wait for him with unspeculative repose, and in a few minutes man
and horse stopped beside her.
"Why
did you slip away by stealth like this?" said d'Urberville, with
upbraiding breathlessness; "on a Sunday morning, too, when people were all
in bed! I only discovered it by accident, and I have been driving like the
deuce to overtake you. Just look at the mare. Why go off like this? You know
that nobody wished to hinder your going. And how unnecessary it has been for
you to toil along on foot, and encumber yourself with this heavy load! I have
followed like a madman, simply to drive you the rest of the distance, if you
won't come back."
"I
shan't come back," said she.
"I
thought you wouldn't—I said so! Well, then, put up your basket, and let me help
you on."
She
listlessly placed her basket and bundle within the dog-cart, and stepped up,
and they sat side by side. She had no fear of him now, and in the cause of her
confidence her sorrow lay.
D'Urberville
mechanically lit a cigar, and the journey was continued with broken unemotional
conversation on the commonplace objects by the wayside. He had quite forgotten
his struggle to kiss her when, in the early summer, they had driven in the
opposite direction along the same road. But she had not, and she sat now, like
a puppet, replying to his remarks in monosyllables. After some miles they came
in view of the clump of trees beyond which the village of Marlott stood. It was
only then that her still face showed the least emotion, a tear or two beginning
to trickle down.
"What
are you crying for?" he coldly asked.
"I
was only thinking that I was born over there," murmured Tess.
"Well—we
must all be born somewhere."
"I
wish I had never been born—there or anywhere else!"
"Pooh!
Well, if you didn't wish to come to Trantridge why did you come?"
She did
not reply.
"You
didn't come for love of me, that I'll swear."
"'Tis
quite true. If I had gone for love o' you, if I had ever sincerely loved you,
if I loved you still, I should not so loathe and hate myself for my weakness as
I do now! … My eyes were dazed by you for a little, and that was all."
He
shrugged his shoulders. She resumed—
"I
didn't understand your meaning till it was too late."
"That's
what every woman says."
"How
can you dare to use such words!" she cried, turning impetuously upon him,
her eyes flashing as the latent spirit (of which he was to see more some day)
awoke in her. "My God! I could knock you out of the gig! Did it never
strike your mind that what every woman says some women may feel?"
"Very
well," he said, laughing; "I am sorry to wound you. I did wrong—I
admit it." He dropped into some little bitterness as he continued:
"Only you needn't be so everlastingly flinging it in my face. I am ready
to pay to the uttermost farthing. You know you need not work in the fields or
the dairies again. You know you may clothe yourself with the best, instead of
in the bald plain way you have lately affected, as if you couldn't get a ribbon
more than you earn."
Her lip
lifted slightly, though there was little scorn, as a rule, in her large and
impulsive nature.
"I
have said I will not take anything more from you, and I will not—I cannot! I should
be your creature to go on doing that, and I won't!"
"One
would think you were a princess from your manner, in addition to a true and
original d'Urberville—ha! ha! Well, Tess, dear, I can say no more. I suppose I
am a bad fellow—a damn bad fellow. I was born bad, and I have lived bad, and I
shall die bad in all probability. But, upon my lost soul, I won't be bad
towards you again, Tess. And if certain circumstances should arise—you
understand—in which you are in the least need, the least difficulty, send me
one line, and you shall have by return whatever you require. I may not be at
Trantridge—I am going to London for a time—I can't stand the old woman. But all
letters will be forwarded."
She said
that she did not wish him to drive her further, and they stopped just under the
clump of trees. D'Urberville alighted, and lifted her down bodily in his arms,
afterwards placing her articles on the ground beside her. She bowed to him
slightly, her eye just lingering in his; and then she turned to take the
parcels for departure.
Alec
d'Urberville removed his cigar, bent towards her, and said—
"You
are not going to turn away like that, dear! Come!"
"If
you wish," she answered indifferently. "See how you've mastered
me!"
She
thereupon turned round and lifted her face to his, and remained like a marble
term while he imprinted a kiss upon her cheek—half perfunctorily, half as if
zest had not yet quite died out. Her eyes vaguely rested upon the remotest
trees in the lane while the kiss was given, as though she were nearly
unconscious of what he did.
"Now
the other side, for old acquaintance' sake."
She turned
her head in the same passive way, as one might turn at the request of a
sketcher or hairdresser, and he kissed the other side, his lips touching cheeks
that were damp and smoothly chill as the skin of the mushrooms in the fields
around.
"You
don't give me your mouth and kiss me back. You never willingly do that—you'll
never love me, I fear."
"I
have said so, often. It is true. I have never really and truly loved you, and I
think I never can." She added mournfully, "Perhaps, of all things, a
lie on this thing would do the most good to me now; but I have honour enough
left, little as 'tis, not to tell that lie. If I did love you, I may have the
best o' causes for letting you know it. But I don't."
He emitted
a laboured breath, as if the scene were getting rather oppressive to his heart,
or to his conscience, or to his gentility.
"Well,
you are absurdly melancholy, Tess. I have no reason for flattering you now, and
I can say plainly that you need not be so sad. You can hold your own for beauty
against any woman of these parts, gentle or simple; I say it to you as a
practical man and well-wisher. If you are wise you will show it to the world
more than you do before it fades… And yet, Tess, will you come back to me! Upon
my soul, I don't like to let you go like this!"
"Never,
never! I made up my mind as soon as I saw—what I ought to have seen sooner; and
I won't come."
"Then
good morning, my four months' cousin—good-bye!"
He leapt
up lightly, arranged the reins, and was gone between the tall red-berried
hedges.
Tess did
not look after him, but slowly wound along the crooked lane. It was still
early, and though the sun's lower limb was just free of the hill, his rays,
ungenial and peering, addressed the eye rather than the touch as yet. There was
not a human soul near. Sad October and her sadder self seemed the only two
existences haunting that lane.
As she
walked, however, some footsteps approached behind her, the footsteps of a man;
and owing to the briskness of his advance he was close at her heels and had
said "Good morning" before she had been long aware of his
propinquity. He appeared to be an artisan of some sort, and carried a tin pot
of red paint in his hand. He asked in a business-like manner if he should take
her basket, which she permitted him to do, walking beside him.
"It
is early to be astir this Sabbath morn!" he said cheerfully.
"Yes,"
said Tess.
"When
most people are at rest from their week's work."
She also
assented to this.
"Though
I do more real work to-day than all the week besides."
"Do
you?"
"All
the week I work for the glory of man, and on Sunday for the glory of God.
That's more real than the other—hey? I have a little to do here at this
stile." The man turned, as he spoke, to an opening at the roadside leading
into a pasture. "If you'll wait a moment," he added, "I shall
not be long."
As he had her basket she could not well do otherwise;
and she waited, observing him. He set down her basket and the tin pot, and
stirring the paint with the brush that was in it began painting large square
letters on the middle board of the three composing the stile, placing a comma
after each word, as if to give pause while that word was driven well home to
the reader's heart—
THY,
DAMNATION, SLUMBERETH, NOT.
2 Pet. ii. 3.
2 Pet. ii. 3.
Against
the peaceful landscape, the pale, decaying tints of the copses, the blue air of
the horizon, and the lichened stile-boards, these staring vermilion words shone
forth. They seemed to shout themselves out and make the atmosphere ring. Some
people might have cried "Alas, poor Theology!" at the hideous
defacement—the last grotesque phase of a creed which had served mankind well in
its time. But the words entered Tess with accusatory horror. It was as if this
man had known her recent history; yet he was a total stranger.
Having
finished his text he picked up her basket, and she mechanically resumed her
walk beside him.
"Do
you believe what you paint?" she asked in low tones.
"Believe
that tex? Do I believe in my own existence!"
"But,"
said she tremulously, "suppose your sin was not of your own seeking?"
He shook
his head.
"I
cannot split hairs on that burning query," he said. "I have walked
hundreds of miles this past summer, painting these texes on every wall, gate,
and stile the length and breadth of this district. I leave their application to
the hearts of the people who read 'em."
"I
think they are horrible," said Tess. "Crushing! Killing!"
"That's
what they are meant to be!" he replied in a trade voice. "But you
should read my hottest ones—them I kips for slums and seaports. They'd make ye
wriggle! Not but what this is a very good tex for rural districts. … Ah—there's
a nice bit of blank wall up by that barn standing to waste. I must put one
there—one that it will be good for dangerous young females like yerself to
heed. Will ye wait, missy?"
"No," said she; and taking her basket Tess
trudged on. A little way forward she turned her head. The old gray wall began
to advertise a similar fiery lettering to the first, with a strange and
unwonted mien, as if distressed at duties it had never before been called upon
to perform. It was with a sudden flush that she read and realized what was to
be the inscription he was now halfway through—
THOU,
SHALT, NOT, COMMIT—
Her
cheerful friend saw her looking, stopped his brush, and shouted—
"If
you want to ask for edification on these things of moment, there's a very
earnest good man going to preach a charity-sermon to-day in the parish you are
going to—Mr Clare of Emminster. I'm not of his persuasion now, but he's a good
man, and he'll expound as well as any parson I know. 'Twas he began the work in
me."
But Tess
did not answer; she throbbingly resumed her walk, her eyes fixed on the ground.
"Pooh—I don't believe God said such things!" she murmured
contemptuously when her flush had died away.
A plume of
smoke soared up suddenly from her father's chimney, the sight of which made her
heart ache. The aspect of the interior, when she reached it, made her heart
ache more. Her mother, who had just come down stairs, turned to greet her from
the fireplace, where she was kindling barked-oak twigs under the breakfast
kettle. The young children were still above, as was also her father, it being
Sunday morning, when he felt justified in lying an additional half-hour.
"Well!—my
dear Tess!" exclaimed her surprised mother, jumping up and kissing the
girl. "How be ye? I didn't see you till you was in upon me! Have you come
home to be married?"
"No,
I have not come for that, mother."
"Then
for a holiday?"
"Yes—for
a holiday; for a long holiday," said Tess.
"What,
isn't your cousin going to do the handsome thing?"
"He's
not my cousin, and he's not going to marry me."
Her mother
eyed her narrowly.
"Come,
you have not told me all," she said.
Then Tess
went up to her mother, put her face upon Joan's neck, and told.
"And
yet th'st not got him to marry 'ee!" reiterated her mother. "Any
woman would have done it but you, after that!"
"Perhaps
any woman would except me."
"It
would have been something like a story to come back with, if you had!"
continued Mrs Durbeyfield, ready to burst into tears of vexation. "After
all the talk about you and him which has reached us here, who would have
expected it to end like this! Why didn't ye think of doing some good for your
family instead o' thinking only of yourself? See how I've got to teave and
slave, and your poor weak father with his heart clogged like a dripping-pan. I
did hope for something to come out o' this! To see what a pretty pair you and
he made that day when you drove away together four months ago! See what he has
given us—all, as we thought, because we were his kin. But if he's not, it must
have been done because of his love for 'ee. And yet you've not got him to
marry!"
Get Alec
d'Urberville in the mind to marry her! He marry HER! On matrimony he had
never once said a word. And what if he had? How a convulsive snatching at
social salvation might have impelled her to answer him she could not say. But
her poor foolish mother little knew her present feeling towards this man.
Perhaps it was unusual in the circumstances, unlucky, unaccountable; but there
it was; and this, as she had said, was what made her detest herself. She had
never wholly cared for him; she did not at all care for him now. She had
dreaded him, winced before him, succumbed to adroit advantages he took of her
helplessness; then, temporarily blinded by his ardent manners, had been stirred
to confused surrender awhile: had suddenly despised and disliked him, and had
run away. That was all. Hate him she did not quite; but he was dust and ashes
to her, and even for her name's sake she scarcely wished to marry him.
"You
ought to have been more careful if you didn't mean to get him to make you his
wife!"
"O
mother, my mother!" cried the agonized girl, turning passionately upon her
parent as if her poor heart would break. "How could I be expected to know?
I was a child when I left this house four months ago. Why didn't you tell me
there was danger in men-folk? Why didn't you warn me? Ladies know what to fend
hands against, because they read novels that tell them of these tricks; but I
never had the chance o' learning in that way, and you did not help me!"
Her mother
was subdued.
"I thought if I spoke of his fond feelings and
what they might lead to, you would be hontish wi' him and lose your
chance," she murmured, wiping her eyes with her apron. "Well, we must
make the best of it, I suppose. 'Tis nater, after all, and what do please
God!"
XIII
The event
of Tess Durbeyfield's return from the manor of her bogus kinsfolk was rumoured
abroad, if rumour be not too large a word for a space of a square mile. In the
afternoon several young girls of Marlott, former schoolfellows and
acquaintances of Tess, called to see her, arriving dressed in their best
starched and ironed, as became visitors to a person who had made a transcendent
conquest (as they supposed), and sat round the room looking at her with great
curiosity. For the fact that it was this said thirty-first cousin, Mr
d'Urberville, who had fallen in love with her, a gentleman not altogether
local, whose reputation as a reckless gallant and heartbreaker was beginning to
spread beyond the immediate boundaries of Trantridge, lent Tess's supposed
position, by its fearsomeness, a far higher fascination that it would have
exercised if unhazardous.
Their
interest was so deep that the younger ones whispered when her back was turned—
"How
pretty she is; and how that best frock do set her off! I believe it cost an
immense deal, and that it was a gift from him."
Tess, who
was reaching up to get the tea-things from the corner-cupboard, did not hear
these commentaries. If she had heard them, she might soon have set her friends
right on the matter. But her mother heard, and Joan's simple vanity, having
been denied the hope of a dashing marriage, fed itself as well as it could upon
the sensation of a dashing flirtation. Upon the whole she felt gratified, even
though such a limited and evanescent triumph should involve her daughter's
reputation; it might end in marriage yet, and in the warmth of her
responsiveness to their admiration she invited her visitors to stay to tea.
Their
chatter, their laughter, their good-humoured innuendoes, above all, their
flashes and flickerings of envy, revived Tess's spirits also; and, as the
evening wore on, she caught the infection of their excitement, and grew almost
gay. The marble hardness left her face, she moved with something of her old
bounding step, and flushed in all her young beauty.
At
moments, in spite of thought, she would reply to their inquiries with a manner
of superiority, as if recognizing that her experiences in the field of
courtship had, indeed, been slightly enviable. But so far was she from being,
in the words of Robert South, "in love with her own ruin," that the
illusion was transient as lightning; cold reason came back to mock her
spasmodic weakness; the ghastliness of her momentary pride would convict her,
and recall her to reserved listlessness again.
And the
despondency of the next morning's dawn, when it was no longer Sunday, but
Monday; and no best clothes; and the laughing visitors were gone, and she awoke
alone in her old bed, the innocent younger children breathing softly around
her. In place of the excitement of her return, and the interest it had
inspired, she saw before her a long and stony highway which she had to tread,
without aid, and with little sympathy. Her depression was then terrible, and
she could have hidden herself in a tomb.
In the
course of a few weeks Tess revived sufficiently to show herself so far as was
necessary to get to church one Sunday morning. She liked to hear the
chanting—such as it was—and the old Psalms, and to join in the Morning Hymn.
That innate love of melody, which she had inherited from her ballad-singing
mother, gave the simplest music a power over her which could well-nigh drag her
heart out of her bosom at times.
To be as
much out of observation as possible for reasons of her own, and to escape the
gallantries of the young men, she set out before the chiming began, and took a
back seat under the gallery, close to the lumber, where only old men and women
came, and where the bier stood on end among the churchyard tools.
Parishioners
dropped in by twos and threes, deposited themselves in rows before her, rested
three-quarters of a minute on their foreheads as if they were praying, though
they were not; then sat up, and looked around. When the chants came on, one of
her favourites happened to be chosen among the rest—the old double chant
"Langdon"—but she did not know what it was called, though she would
much have liked to know. She thought, without exactly wording the thought, how
strange and god-like was a composer's power, who from the grave could lead
through sequences of emotion, which he alone had felt at first, a girl like her
who had never heard of his name, and never would have a clue to his
personality.
The people
who had turned their heads turned them again as the service proceeded; and at
last observing her, they whispered to each other. She knew what their whispers
were about, grew sick at heart, and felt that she could come to church no more.
The
bedroom which she shared with some of the children formed her retreat more
continually than ever. Here, under her few square yards of thatch, she watched
winds, and snows, and rains, gorgeous sunsets, and successive moons at their
full. So close kept she that at length almost everybody thought she had gone
away.
The only
exercise that Tess took at this time was after dark; and it was then, when out
in the woods, that she seemed least solitary. She knew how to hit to a
hair's-breadth that moment of evening when the light and the darkness are so
evenly balanced that the constraint of day and the suspense of night neutralize
each other, leaving absolute mental liberty. It is then that the plight of
being alive becomes attenuated to its least possible dimensions. She had no
fear of the shadows; her sole idea seemed to be to shun mankind—or rather that
cold accretion called the world, which, so terrible in the mass, is so
unformidable, even pitiable, in its units.
On these
lonely hills and dales her quiescent glide was of a piece with the element she
moved in. Her flexuous and stealthy figure became an integral part of the
scene. At times her whimsical fancy would intensify natural processes around
her till they seemed a part of her own story. Rather they became a part of it;
for the world is only a psychological phenomenon, and what they seemed they
were. The midnight airs and gusts, moaning amongst the tightly-wrapped buds and
bark of the winter twigs, were formulae of bitter reproach. A wet day was the
expression of irremediable grief at her weakness in the mind of some vague
ethical being whom she could not class definitely as the God of her childhood,
and could not comprehend as any other.
But this encompassment of her own characterization,
based on shreds of convention, peopled by phantoms and voices antipathetic to
her, was a sorry and mistaken creation of Tess's fancy—a cloud of moral
hobgoblins by which she was terrified without reason. It was they that were out
of harmony with the actual world, not she. Walking among the sleeping birds in
the hedges, watching the skipping rabbits on a moonlit warren, or standing
under a pheasant-laden bough, she looked upon herself as a figure of Guilt
intruding into the haunts of Innocence. But all the while she was making a
distinction where there was no difference. Feeling herself in antagonism, she was
quite in accord. She had been made to break an accepted social law, but no law
known to the environment in which she fancied herself such an anomaly.
To be continued